Tuesday, February 17, 2009

Eldorado Directed by Bouli Lanners




Eldorado, Directed by Bouli Lanners, Belgium

Yvan and Elie are two loners who wander aimlessly through their lives. Yvan is a quick-tempered 40-year-old vintage car dealer, while Elie is a young burglar and ex-junkie. One day Yvan catches Elie trying to rob him. Instead of beating him up, he becomes strangely attached to him and agrees to drive him home to his parents in his old Chevrolet. Yvan and Elie are both nostalgic about lost relationships, which is what leads them to undertake a bizarre journey through a region that is as spectacular as it is crazy. Both are trying to find the pieces of a puzzle that they want to put back together, but it might be too late.

WINNER —Alfred Bauer Prize and FIPRESCI Award, Berlin International Film Festival
WINNER —Mayahuel Award; Best Director, Guadalajara Mexican Film Festival
WINNER —Special Jury Prize, Transylvania International Film Festival
NOMINATED —Golden Berlin Bear, Berlin International Film Festival
OFFICIAL SELECTION —San Sebastian Film Festival
OFFICIAL SELECTION —Karlovy Vary Film Festival
OFFICIAL SELECTION —Helsinki International Film Festival
OFFICIAL SELECTION —AFI Film Festival•

COMING SOON FROM FILM MOVEMENT

The film listed below is a title we plan to release. Due to contracts, director timetables and release dates, this film could be delayed or deleted.

Lake Tahoe, Directed by Fernando Eimbcke, Mexico

Teenage Juan crashes his family’s car into a telegraph pole on the outskirts of town, and then scours the streets searching for someone to help him fix it. His quest will bring him to Don Heber, an old paranoid mechanic whose only companion is Sica, his almost human boxer dog; to LucĂ­a, a young mother who is convinced that her real place in life is as a lead singer in a punk band, and to “The One Who Knows,” a teenage mechanic obsessed with martial arts and Kung Fu philosophy. The absurd and bewildering worlds of these characters drag Juan into a one-day journey in which he will come to accept what he was escaping from in the first place—an event both as natural and inexplicable as a loved one’s death.

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